Chapters on the structures of art historical writing are complemented by studies of Elizabeth Siddall, Mary Cassatt and Berthe Morisot, which deal with themes of modernity, sexuality and repression.

在线阅读本书 Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art,exploring the writingsof Elizabeth Siddall, Mary Cassatt and Berthe Morisot.

We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's "Poppy Field" appears to sway in the breeze, Mondrian's "Broadway Boogie Woogie" blinks ...(展开全部)

In Vision and Art, Harvard neurobiologist Margaret Livingstone demonstrates that how we see art depends ultimately on the cells in our eyes and our brains. In this new expanded edition Livingstone thoroughly updates this groundbreaking study with the latest findings gathered from her research, with 32 additional pages of new text and images, including 3 brand new chapters. She ...(展开全部)

We recognize the artistry of Mona Lisa's elusive smile, but is there an underlying science? In this groundbreaking study, Harvard neurobiologist Margaret Livingstone explains how vision works. She tells us how great painters fool the brain: why Mona Lisa's smile seems so mysterious, Monet's "Poppy Field" appears to sway in the breeze, Mondrian's "Broadway Boogie Woogie" blinks ...(展开全部)

In this major book, Griselda Pollock engages boldly in the culture wars over 'what is the canon?' and 'what difference can feminism make?' Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire -...(展开全部)

In this major book, Griselda Pollock engages boldly in the culture wars over 'what is the canon?' and 'what difference can feminism make?' Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire -...(展开全部)